On the Narration of Xinjiang by WANG Meng and ZHANG Chengzhi:

Focus on Hello,Xinjiang and Meet on Afterlife,the Heart of Xinjiang

YUAN Wenzhuo （Nanjing University）

 

Abstract:As the intersection of the four civilizations,Xinjiang has a long history and a splendid culture.In literature,the narrative works of Xinjiang have involved in the overall construction of contemporary literature:in the narrative poems of Xinjiang in the 1950s and 1970s,the panorama of the folk customs and folk customs in the north and south of the Tianshan Mountains and the folklore of the folk.in the 1980s,the infinite feelings of the well-being of the border people and the preliminary excavation of Xinjiang's main consciousness; or in the context of consumer society in the 1990s,the Xinjiang narrative adhered to miscellaneous literature and the glorification of Xinjiang's self-subjectivity.The Xinjiang narrative in contemporary literature has experienced a development process that has been highlighted by the national imagination community to the self-subject consciousness in Xinjiang.In many writers writing in Xinjiang,Wang Meng and Zhang Chengzhi,respectively,from their respective perspective,the daily life of Xinjiang and multicultural in-depth interpretation,and given the Xinjiang narrative with a unique spiritual connotation and aesthetic value.Different Xinjiang landscapes present and a common spirit of returning home has become the key to interpreting the narrative of Xinjiang by Wang Meng and Zhang Chengzhi.It is proposed to start from the two writers,through the analysis of their Xinjiang narrative works,to explore the connotation and the extension of their Xinjiang narrative.

Key words:WANG Meng; ZHANG Chengzhi; Xinjiang narrative