作　者：方长安
关键词：诗学体系；诗学理论；传播接受诗学；诗歌价值论；中国新诗
摘　要：

中国新诗传播接受诗学，是以百余年新诗传播接受史实、传播接受相关话语为依据，对新诗传播接受特征、运行规律、诗学功能的理论总结。作为一种诗学，其理论体系由概念谱系、理论空间、核心观念与认识功能所构成。“中国新诗传播接受诗学”作为母概念，由中国、新诗、传播接受、诗学四大基点性本源概念组成，它们决定了该诗学体系的基本属性；理论空间包括百余年新诗传播接受观念谱系、传播接受的诗性特征、传播接受与新诗创作关系论、传播接受与新诗形象生成论，以及传播接受与新诗价值论；诗学体系的核心是传播接受机制。该诗学具有四大理论功能：一是揭示新诗创作演变规律，二是彰显新诗理论生成特征，三是敞开新诗形象塑造过程，四是提供估衡新诗价值的尺度。构建中国新诗传播接受诗学体系，应处理好历史诗学与进行时态诗学、历史沉淀与未来发展、主观精神与客观现实、传媒特性与诗性创造以及理论思辨与新诗实践等关系。

 

On Constructing a Poetic System of the Reception and Dissemination of Modern Chinese Poetry

Fang Chang'an（Wuhan University）

Abstract The Poetics of the dissemination and reception of Chinese new poetry is a theoretical summary of the characteristics, operational laws, and poetic functions of the dissemination and reception of new poetry, based on the historical facts of the dissemination and reception of new poetry over the past century and the relevant discourses on dissemination and reception. As a poetics, its theoretical system consists of a conceptual framework, theoretical space and core concepts. The overarching concept, "the poetics of the reception and dissemination of modern Chinese poetry", is founded on four essential root concepts of China, mod‐ ern poetry, dissemination and reception, and poetics, which determine the fundamental nature of the theoretical system. The theoretical space includes the genealogies of concepts regarding the dissemination and reception of new poetry over the past century, the poetic characteristics of dissemination and reception, the relation‐ ships between dissemination/reception and modern poetic creation, the formation of poetic imagery, and the evaluation of poetic value. At its core lies the mechanism of dissemination and reception. This poetics fulfills four major theoretical functions: revealing the evolutionary patterns of poetic creation, highlighting the distinctive features of theoretical development of poetic theory, elucidating the process of modern poetic imagery creation, and providing criteria for evaluating the value of modern Chinese poetry. The construction of this system requires careful balancing of multiple relationships between historical poetics and present-tense poetics, between historical sedimentation and future development, between subjective spirit and objective reality, between media characteristics and poetic creativity, and between theoretical reflection and poetic practice.

Key words      a poetic system; poetic theory; poetics of dissemination and reception; theory of poetic value; modern Chinese poetry

 

■    作者简介：方长安，武汉大学文学院教授，湖北 武汉 430072。

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